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Visualizations of hierarchical data can often be explored interactively. For example, in geographic visualization, there are continents, which can be subdivided into countries, states, counties and cities. Similarly, in models of ...
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Visualizations of hierarchical data can often be explored interactively. For example, in geographic visualization, there are continents, which can be subdivided into countries, states, counties and cities. Similarly, in models of viruses or bacteria at the highest level are the compartments, and below that are macromolecules, secondary structures (such as alpha-helices), amino-acids, and on the finest level atoms. Distinguishing between items can be assisted through the use of color at all levels. However, currently, there are no hierarchical and adaptive color mapping techniques for very large multi-scale visualizations that can be explored interactively. We present a novel, multi-scale, color-mapping technique for adaptively adjusting the color scheme to the current view and scale. Color is treated as a resource and is smoothly redistributed. The distribution adjusts to the scale of the currently observed detail and maximizes the color range utilization given current viewing requirements. Thus, we ensure that the user is able to distinguish items on any level, even if the color is not constant for a particular feature. The coloring technique is demonstrated for a political map and a mesoscale structural model of HIV. The technique has been tested by users with expertise in structural biology and was overall well received.
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Molecular systems may be visualized with various degrees of structural abstraction, support of spatial perception, and 'illustrativeness.' In this work we propose and realize methods to create seamless transformations that allow u...
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Molecular systems may be visualized with various degrees of structural abstraction, support of spatial perception, and 'illustrativeness.' In this work we propose and realize methods to create seamless transformations that allow us to affect and change each of these three parameters individually. The resulting transitions give viewers a dedicated control of abstraction in illustrative molecular visualization and, consequently, allow them to seamlessly explore the resulting abstraction space for obtaining a fundamental understanding of molecular systems.We show example visualizations created with our approach and report informal feedback on our technique from domain experts.
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In this paper, we present a novel two-dimensional (2D) shape context preserving image manipulation approach which constructs and manipulates a 2D mesh with a new differential mesh editing algorithm. We introduce a novel shape cont...
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In this paper, we present a novel two-dimensional (2D) shape context preserving image manipulation approach which constructs and manipulates a 2D mesh with a new differential mesh editing algorithm. We introduce a novel shape context descriptor and integrate it into the deformation framework, facilitating shape-preserving deformation for 2D anatomical illustrations. Our new scheme utilizes an analogy based shape transfer technique in order to learn shape styles from reference images. Experimental results show that visually plausible deformation can be quickly generated from an existing example at interactive frame rates. An experienced artist has evaluated our approach and his feedback is quite encouraging.
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Searching by style in illustration data sets is a particular problem in Information Retrieval which has received little attention so far. One of its main problems is that the perception of style is highly subjective, which makes l...
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Searching by style in illustration data sets is a particular problem in Information Retrieval which has received little attention so far. One of its main problems is that the perception of style is highly subjective, which makes labeling styles a very difficult task. Despite being difficult to predict computationally, certain properties such as colorfulness, line style or shading can be successfully captured by existing style metrics. However, there is little knowledge about how we distinguish between different styles and how these metrics can be used to guide users in style-based interactions. In this paper, we propose several contributions towards a better comprehension of illustration style and its usefulness for data exploration and retrieval. First, we provide new insights about how we perceive style in illustration. Second, we evaluate a handmade style clustering of clip art pieces with an existing style metric to analyze how this metric aligns with expert knowledge. Finally, we propose a method for efficient navigation and exploration of large clip art data sets which takes into account both semantic labeling of the data and its style. Our approach combines hierarchical clustering with dimensionality reduction techniques, and strategic sampling to obtain intuitive visualizations and useful visualizations.
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In this paper, we present an approach to creating illustrations of molecular flexibility using normal mode analysis (NMA). The output of NMA is a collection of points corresponding to the locations of atoms and associated motion v...
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In this paper, we present an approach to creating illustrations of molecular flexibility using normal mode analysis (NMA). The output of NMA is a collection of points corresponding to the locations of atoms and associated motion vectors, where a vector for each point is known. Our approach abstracts the complex object and its motion by grouping the points, models the motion of each group as an affine velocity, and depicts the motion of each group by automatically choosing glyphs such as arrows. Affine exponentials allow the extrapolation of nonlinear effects such as near rotations and spirals from the linear velocities. Our approach automatically groups points by finding sets of neighboring points whose motions fit the motion model. The geometry and motion models for each group are used to determine glyphs that depict the motion, with various aspects of the motion mapped to each glyph. We evaluated the utility of our system in real work done by structural biologists both by utilizing it in our own structural biology work and quantitatively measuring its usefulness on a set of known protein conformation changes. Additionally, in order to allow ourselves and our collaborators to effectively use our techniques we integrated our system with commonly used tools for molecular visualization.
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We present a system for authoring and viewing interactive cutaway illustrations of complex 3D models using conventions of traditional scientific and technical illustration. Our approach is based on the two key ideas that 1) cuts s...
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We present a system for authoring and viewing interactive cutaway illustrations of complex 3D models using conventions of traditional scientific and technical illustration. Our approach is based on the two key ideas that 1) cuts should respect the geometry of the parts being cut, and 2) cutaway illustrations should support interactive exploration. In our approach, an author instruments a 3D model with auxiliary parameters, which we call "rigging," that define how cutaways of that structure are formed. We provide an authoring interface that automates most of the rigging process. We also provide a viewing interface that allows viewers to explore rigged models using high-level interactions. In particular, the viewer can just select a set of target structures, and the system will automatically generate a cutaway illustration that exposes those parts. We have tested our system on a variety of CAD and anatomical models, and our results demonstrate that our approach can be used to create and view effective interactive cutaway illustrations for a variety of complex objects with little user effort.
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The illustration on the cover of a magazine is to give identity and also to attract attention which requires synergy between writers and artists in order to deliver messages in visual language. This paper will discuss the illustra...
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The illustration on the cover of a magazine is to give identity and also to attract attention which requires synergy between writers and artists in order to deliver messages in visual language. This paper will discuss the illustration and visual language as well as and readers interpretationand the impact to the media where the illustration is displayed. The study was conducted qualitative research method from Illustrations of former President Soeharto on Tempo magazines covers after his resignation until his death in 2008 as a case study, and the cover of Soeharto in New Orderera as a comparison. From the research is expected to obtain an overview of how the message is delivered using visual language in the illustration and its impact to the reader.
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While information visualization frameworks and heuristics have traditionally been reluctant to include acquired codes of meaning, designers are making use of them in a wide variety of ways. Acquired codes leverage a user's experie...
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While information visualization frameworks and heuristics have traditionally been reluctant to include acquired codes of meaning, designers are making use of them in a wide variety of ways. Acquired codes leverage a user's experience to understand the meaning of a visualization. They range from figurative visualizations which rely on the reader's recognition of shapes, to conventional arrangements of graphic elements which represent particular subjects. In this study, we used content analysis to codify acquired meaning in visualization. We applied the content analysis to a set of infographics and data visualizations which are exemplars of innovative and effective design. 88% of the infographics and 71% of data visualizations in the sample contain at least one use of figurative visualization. Conventions on the arrangement of graphics are also widespread in the sample. In particular, a comparison of representations of time and other quantitative data showed that conventions can be specific to a subject. These results suggest that there is a need for information visualization research to expand its scope beyond perceptual channels, to include social and culturally constructed meaning. Our paper demonstrates a viable method for identifying figurative techniques and graphic conventions and integrating them into heuristics for visualization design.
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Video storyboard, which is a form of video visualization, summarizes the major events in a video using illustrative visualization. There are three main technical challenges in creating a video storyboard, (a) event classification,...
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Video storyboard, which is a form of video visualization, summarizes the major events in a video using illustrative visualization. There are three main technical challenges in creating a video storyboard, (a) event classification, (b) event selection and (c) event illustration. Among these challenges, (a) is highly application-dependent and requires a significant amount of application specific semantics to be encoded in a system or manually specified by users. This paper focuses on challenges (b) and (c). In particular, we present a framework for hierarchical event representation, and an importance-based selection algorithm for supporting the creation of a video storyboard from a video. We consider the storyboard to be an event summarization for the whole video, whilst each individual illustration on the board is also an event summarization but for a smaller time window. We utilized a 3D visualization template for depicting and annotating events in illustrations. To demonstrate the concepts and algorithms developed, we use Snooker video visualization as a case study, because it has a concrete and agreeable set of semantic definitions for events and can make use of existing techniques of event detection and 3D reconstruction in a reliable manner. Nevertheless, most of our concepts and algorithms developed for challenges (b) and (c) can be applied to other application areas.
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Direct volume rendering techniques map volumetric attributes (e.g., density, gradient magnitude, etc.) to visual styles. Commonly this mapping is specified by a transfer function. The specification of transfer functions is a compl...
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Direct volume rendering techniques map volumetric attributes (e.g., density, gradient magnitude, etc.) to visual styles. Commonly this mapping is specified by a transfer function. The specification of transfer functions is a complex task and requires expert knowledge about the underlying rendering technique. In the case of multiple volumetric attributes and multiple visual styles the specification of the multi-dimensional transfer function becomes more challenging and non-intuitive. We present a novel methodology for the specification of a mapping from several volumetric attributes to multiple illustrative visual styles. We introduce semantic layers that allow a domain expert to specify the mapping in the natural language of the domain. A semantic layer defines the mapping of volumetric attributes to one visual style. Volumetric attributes and visual styles are represented as fuzzy sets. The mapping is specified by rules that are evaluated with fuzzy logic arithmetics. The user specifies the fuzzy sets and the rules without special knowledge about the underlying rendering technique. Semantic layers allow for a linguistic specification of the mapping from attributes to visual styles replacing the traditional transfer function specification.
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